Jody Murray

Zachary Silva’s camera escorts us to extraordinary places. We see UC Merced from high above, the land around the campus warped by a fisheye lens. We look straight down a pole at a fluttering U.S. flag and two lonely tractors.

These eye-popping points of view are among other photographs by Silva on display at Carnegie Arts Center in Turlock. The UC Merced student is one of a dozen artists in an exhibition called “Valley Focus: Growing Talent.”

If Arden, the sprawling, wild forest in William Shakespeare’s “As You Like It,” were in the United States instead of the Bard’s imagination, it would certainly be a national park.

Like Yosemite.

That is why this light comedy is an ideal fit for the annual UC Merced theater project that weaves modern issues of environmental stewardship into the 16th-century playwright’s words.

A UC Merced professor entered the bleak world of a fading, 64-year-old man in a Virginia state prison to illustrate the challenges of being elderly and incarcerated.

“Where’s My Coffee Cup?” is a half-hour documentary by media and performance studies Professor Yehuda Sharim. It premieres April 18 at the Virginia Museum of History and Culture. Plans are underway to present the film worldwide, including a possible screening at UC Merced this fall.

The Huntington Library in San Marino is one of the world’s greatest sources for independent research in the humanities, with documents and artifacts that span 11 centuries. Scholars from more than 30 nations visit its reading rooms or tap into its digital services.

Each year, the library awards 15 long-term fellowships for high-quality research. Of those, six are named distinguished fellows, an honor for exceptional work in their field of study.

Todo Cambia, UC Merced’s annual Human Rights Film Festival, is about more than film this year.

Deborah Taffa, an Indigenous author and educator whose book about growing up in a mixed-race home and struggling with social acceptance was hailed as one the best memoirs of 2024, will make a special visit to Merced this month.

An exhibition that collects artistic visions from five continents and weaves them into a compelling plea to protect our planet has found the perfect home for the first few months of 2025.

At least that’s how Grace Garnica, manager of UC Merced’s La Galería, sees it. And she has a point: The Central Valley and a university committed to environmental research are ideal for “Actions for the Earth: Art, Care & Ecology.”*

Katherine Cai is on stage, reminiscing about high school.

“My dad tried to teach me geometry. You know how that goes. The questions get more and more difficult and Dad gets more and more frustrated, which leads to both of us having a crisis.”

“We’re all just victims of word problems.”

Laughs ripple through the 100 or so students, faculty and friends in the audience. They can relate.

Cai, a UC Merced psychology major, is halfway through her standup comedy routine, a final performance for Writing 122. And she’s crushing it.

Tsitsi Dangarembga, a renowned Zimbabwean filmmaker, novelist and cultural activist, was selected as the 16th recipient of the Alice and Clifford Spendlove Prize in Social Justice, Diplomacy and Tolerance.

Tsitsi Dangarembga is best known for her critically acclaimed 1988 debut novel, “Nervous Conditions.” The first book by a Black Zimbabwean woman to be published in English, it won the Commonwealth Writers' Prize and is celebrated for its incisive portrayal of colonialism, gender and identity in postcolonial Africa.

Every year, UC Merced’s UpstART music series ignites the senses by bringing far-ranging genres to the stages. In 2024-25, take a seat for acts ranging from revolutionary mariachi and hip hop/Caribbean/Latin fusion to an improvising, story-weaving cellist … for a start.